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Phillip Moulthrop Bowls



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Philip Moulthrop started turning wood in 1979 after learning from his father Ed Moulthrop. He cuts the green parts of trees in the southeastern region using a chain saw and a hand-forged lathe. The bowl is then refined on the lathe and finished with several coats. The entire process takes between four and one year. Once completed, the bowls may be purchased or given to friends and family as gifts.

Philip Moulthrop

Phillip Moulthrop is known for his bowl made of red leopard maple. Three generations have been carrying on the family tradition of wood turning. Philip Moulthrop has made bowls for several notable museums and private collections. Here are some of their most renowned pieces. Continue reading for more information about this gifted artist.

Philip Moulthrop is an American artist who was born in 47. He studied general arts in his early 20s and developed an early passion for woodworking. At 16 he purchased his first lathe. He continued to expand his equipment. His techniques were successful and he was able to produce beautiful vessels. This attracted the attention not only of the art community but also the President of the United States. His work was quickly recognized, and he began selling his items at local craft fairs.


Matt Moulthrop

The Matt Moulthrop bowls are a wonderful example of Georgia's rich woodturning tradition. He was born in Atlanta, and graduated from Georgia Tech with a BA and MBA. He spent a few years working in 9-to-5, but he never lost his passion for woodturning. In fact, he received recognition nationally for his bowls. His works are shown at the ASU Art Museum (the Carter Center) and Racine Art Museum (the Racine Art Museum).


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The Moulthrops are world-class wood-turners and have had works in major collections both in the United States of America and internationally. Moulthrop pieces can be found in the Renwick Gallery of the National Museum of American Art. Collectors from all over the globe have taken to heart his bowls. During a Smithsonian photo shoot, the bowl maker gave each photographer a signed copy.

Ed Moulthrop

Moulthrop was a bowl-turner in the early 1970s. He quickly earned a scholarship for Princeton University to study Architecture. After spending a year in Vietnam, Moulthrop resigned from architecture to pursue woodturning professionally. His large-scale turn bowls, which were internationally recognized, are now held in prestigious museums such as The White House Collection of American Crafts and Museum of Arts and Design. These bowls are made from domestic woods and polished to a transparent finish.


The Ed Moulthrop wild cherry bowl measures nine inches wide by fourteen inches tall. These wood bowls can be purchased at Gump's in San Francisco. Ed Moulthrop's wooden pieces are also on display. The best way to learn about the artist's work is to visit the exhibition. He also produces a beautiful catalog of his work. While it is possible to purchase the bowls from museums, it's best to visit his studio and see it in person.

The Eagle & Phenix Dam Series

This limited edition series of moulthrop bowls features wood from the Eagle & Phenix Dam, a series of dams that once stood in Columbus, Georgia. These bowls are handcrafted by Phillip Moulthrop and Matt Moulthrop and have traces of their history. They can be bid upon during museum hours and some of them will be sold live.

The Moulthrop Family has been instrumental in the development of Georgia's wood-turned wooden bowls. The museum proudly displays works by all three generations of the Moulthrop family, who have been turning bowls for more than five decades. Many of these pieces are prized due to their large size and smooth, polished surface. His mosaic bowl technique, which involves glueing thin branches to a shaped bowl with thin branches, is featured in the exhibit.

Matt Moulthrop's works


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A son of Philip and Ed Moulthrop, Matt Moulthrop grew up around woodturning. His father was a pioneer in woodturning, and he continued to love it. Matt pursued a degree in business administration at Georgia Tech after earning his BA from the University of Georgia. He is the third generation of woodworkers. His work can be found in many prominent institutions, including the ASU Art Museum or the Carter Center. He is currently working on commemorative pieces for the Georgia Tech Alumni Association's 100th anniversary.

Georgia is not home to the wood he turns. He often travels to exotic wood in other parts of the globe. He uses tools and a lathe hand-forged to turn trees from all over the globe. He uses wood from the Southeast as well as exotic locations like underwater forests and volcanoes to create his pieces. If you are a fan of his work, be sure to check it out!




FAQ

What would you recommend as a starting material for woodworking?

You can start with softwoods like pine or poplar. These two are the easiest to master, then you can transition to hardwood.


Is it easy to start a woodworking business?

It is not easy to start a woodworking business. You will need to adhere to many legal requirements. You don't have to go through all that hassle of setting it up. Many people opt to join existing businesses instead. This will allow you to avoid paying membership fees and taxes.


What woods are suitable for making furniture?

Woods are classified according their hardness. Softwoods are pine, cedar and cypress. They're often used for outdoor furniture because they don't rot easily. The hardwoods are oak, maple and mahogany. Because they are not weather-resistant, they are best used indoors.



Statistics

  • Most woodworkers agree that lumber moisture needs to be under 10% for building furniture. (woodandshop.com)
  • Woodworkers on the lower end of that spectrum, the bottom 10% to be exact, make roughly $24,000 a year, while the top 10% makes $108,000. (zippia.com)
  • The best-paid 10 percent make $76,000, while the lowest-paid 10 percent make $34,000. (zippia.com)
  • Average lumber prices rose about 600 percent between April 2020 and May 2021. (familyhandyman.com)



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How To

How can you measure wood accurately?

We have several ways to measure wood. We use a digital scale (a tool for measuring distances), a laser-level (used to level your work surface), as well as a bubble level (used in order to level your work surface).

A digital caliper has two jaws that open and close. One jaw holds the measured object while the other measures the distance between the two points. The digital scale is perfect for measuring tiny distances such as wood thickness.

Laser levels use an infrared beam of light to project a line across the ground. The laser emits a red dot on the line. By looking down the line, you can see whether the surface is even or not. For large surfaces, laser levels are the best way to check their accuracy.

Bubble levels look similar to a compass. There is a bubble in the center of the device. As long as the bubble remains centered, the device can tell you if the surface has been leveled. Bubble levels are great for checking the accuracy and precision of smaller areas.




 



Phillip Moulthrop Bowls